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“These shows take extreme amounts of technical experience and equipment. 4Wall’s continued ability to provide a superior level of both alleviates the many complications that typically arise during these demanding events.” 
- Paul Fine, Lighting Designer
Fine Design |
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“The 4Wall equipment proved to be flawless and really well maintained. With such a busy daily meeting schedule there is simply no time to repair gear and the 4Wall equipment performed impeccably.”
- David Grill, Lighting Designer
Grill Design |
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" I used 4-Wall strictly for two reasons: one, because of their extensive inventory (Vari*Lite specifically) and secondly, because of their exceptional customer service.
- Eddie Shipstad, Show Director and Choreographer
Shipstad Entertainment |
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"In the third year of our agreement the relationship is stronger than ever before in that our communication and coordination is solid, the equipment is in great condition, and the support provided is excellent. Jazz at Lincoln Center has a real partner in 4Wall and we value this not only for ourselves but for our clients."
- David Gibson, Former Director of Production
Jazz at Lincoln Center |
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"Our initial interest in going to 4Wall to build this relationship came from the strong feeling that they would embrace the idea of truly being partners, and that’s exactly what we’ve been able to develop"
- Zakaria M, Al-Alami, Lighting Director
Jazz at Lincoln Center |
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"Whether it’s a custom truss design, a photo shoot, or a high end piece of equipment, 4Wall is there to serve and help accomplish the task at hand. The personalities they employ are there to make your life easier. It just goes to show that the extra effort 4Wall puts into the quality control of their equipment, pays off for the customer."
- Gary Cooper, Production Designer
Annual Ford Fleet Product Review |
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"4 Wall Entertainment is by far my #1 lighting company in the USA. The equipment is always in tremendous condition. Their people are a dream to work with."
- Brian O'Connor, Owner
Art & Light
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"Confidence is key. When that curtain goes up in front of thousands of fans, I want to have confidence accross the board... in my decisions, in our staff, the local crew, in the equipment and those who support it. The lighting is also performing and we owe it to these amazing dancers onstage to do just that. Perform with confidence. When I see a 4 Wall case, I have that confidence."
- Al Crawford, Lighting Director
Alvin Ailey American Dance Theatre
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"Lightswitch chose 4Wall again this year because they worked very hard to accommodate the price. There were over 500 practical light sources in the set, and 4Wall came up with a proposal that made it affordable and easy to install. They have incredible project management. They are no nonsense. They treat you like a human being and you feel like you have a partner who is going to help you have a successful project instead of just a vendor. Overall, we were very happy with the outcome of the project. It exceeded our expectations! We had no equipment problems - the gear was in great shape.
- Norm Schwab, Lighting Designer
Lightswitch
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"4Wall has always come through with the right gear, the right attitude, and the right support. They are big enough to handle a project of this size... Absolutely, without question, I would consider using 4Wall for any show, anywhere in the country."
- Jeffery McRoberts, Lighting Designer
Volkswagen 2003 Meeting
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"I chose 4Wall Entertainment because they are a great shop that would get me the gear I needed without making substitutions. Plus, they understood the nature of the event, allowing the gear to be packed per venue as opposed to just one large order.
All went beautifully and we pulled it off within the crazy time schedule. To quote the head of Volkswagen North America, 'You hit a home run!"
- Chris Dallos, Lighting Designer
Volkswagen 2003 Meeting
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“We Chose 4 Wall because of their degree of professionalism and the quality of the equipment. I was impressed by the state of the equipment and the attitude of the personnel. 4Wall came to the table with the ability to do the show and meet the budget requirements while maintaining a level of excellence. Ultimately, as with any event, the only reaction that matters belongs to the end-client. Are they happy? The answer was a resounding YES! In-Vision was extremely pleased with the realization of their creative vision and I felt I achieved what I set out to do while adding the extra touch that completes the experience."
- Chris Legrand, Lighting Designer of Legrand Design
Oracles North American Sales 2003
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Mr. Fine commented on this year's trends, "This year, it seemed that most properties were relying heavily on color and color mixing rather than going with a typically more graphic/textural approach." He continued, "Those that work with Fine Design Associates, Inc. know us to be a special customer. We often require a level of service that at best is usually above and beyond what a normal client would require. We partnered with 4Wall Entertainment because they always come through with excellent equipment on little or no advance warning and that always is accompanied by top-notch service."
- Paul Fine, Lighting Designer
CES Exhibit
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"In terms of color mixing, they are going to be amazing for this particular application because I can really match the incandescent quality of the original units. 4Wall not only supplies great quality equipment, they understand the importance of relationships. For a long term production like Ailey, this is incredibly important to us."
- Al Crawford, Lighting Director
Alvin Ailey American Dance Theater
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“I have high remarks about 4Wall's equipment and support. 4Wall is responsive to a designer's needs. They provide top quality gear at fair prices."
- Alan Adelman, Lighting Designer
Boston Pops
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"Other companies always talk about how great their service is; the difference with 4Wall is that they actually deliver. From the moment we started with them, they have provided excellent support, both to me and to our production team. Additionally, they filled my entire shop order without requesting any equipment substitutions. They were able to roll with the punches as the production developed."
- Mike Baldassari, Lighting Designer
BLAST II: Mix
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“From start to finish, working with 4Wall was one of my better experiences. Not only was the staff helpful and resourceful, the equipment was very well maintained. It was very unusual for a show with so many moving heads to have so few problems. I can't say enough for all that the 4Wall techs did for the show. I can't wait till the next show!
- Carlos Colina, Lighting Designer
Univision Network
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Rental Testimonials
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